Tag Archives: impermanence

The Lure of Accomplishment

My teacher often says that Zen is not a self-improvement project. And it isn’t. But it has changed me. I have noticed that I spend a lot less time planning my career, thinking about my degree, or fretting about how much money I’ll end up with. For that matter, I’ve pretty much let go of any idea of enlightenment beyond what I already have. Yet it seems that I still get caught up in trying to accomplish things – they’re just much smaller.

My mother stopped by on Sunday to spend some time with the kids. She and my daughter sat animated at the kitchen table, chairs pushed close together. They were piecing together a plastic cup, sponge, string, and some googly eyes, making a toy my daughter first made when she was she was five or six years old. If you wet the sponge, squeeze it tightly around and slide it down the string just so, it sounds an awful lot like a gobbling wild turkey.

(I am completely enamored of my daughter’s love for this sort of thing. She’s almost 10. I sometimes catch myself realizing that I expect her to be older by now, and that I’m so happy she’s not. But that’s mostly another story.)

This was just the sort of moment that I complain about not having the chance to witness or be present to. The possibility of being with my family, absorbed in something together, absorbed each others’ company. Except that I didn’t join them. I stood right there, leaning up against the butcher block counter, thinking about getting the lawn mowed one last time before winter, about getting the family budget balanced, about the need to roll out insulation in the attic and fix the broken glass in the window up there.

So much to accomplish.

There is real suffering in the desire for the moment to be something other than what it is, for it to be simpler. And there is a sense of impossibility in these moments, too. Graciously accepting what a moment has to offer could mean dropping away my own concerns and being fully present with my wife or child. But it also must mean accepting the part if me that feels the conflict, that part that is pulled away by a nagging mind wanting to do and to accomplish. In the world of emptiness, one isn’t better than the other. In the world of form, of fatherhood, of the kind of impermanence that means childhood years are short, I sure know which one I prefer.

For all of the regret that I might muster on my drive to work or in the quiet hours after bedtime, though, that moment in the kitchen has already passed. Zen practice is very reliable in that all that it asks me to do is to sit down. Perhaps there is no answer to the lure of accomplishment, either, but to sit down – or stand up, or run around – and play when someone comes asking. The small change may come. Or it may not. But I’ll be there.

Copper Pots

For a few years in my early twenties, my father gave me a piece of copper cookware every once in a while. Cooking was one of the ways we managed to connect, and the pieces were beautiful. And they were substantial. Weighty. As long as I took good care of them, they would last forever. I imagined I was building a permanent collection. I was building my life.

Over time, copper develops spots, and if you scrub it with regular soap and a sponge, it scratches quite easily. Instead, you have to use special cleaners and stay diligent about keeping up with them. My wife and I have occasionally fallen behind in this task, especially when we run out of the cleaner, which never rises quickly back to the top of the shopping list. After only a use or two, the pots begin to turn a mottled, and then even dingy, brown and stop reflecting the light of the room.

Eventually, though, some space opens in the time we have after a meal, and we get back on the bandwagon and clean the pots. But lately I’ve begun to wonder why we do it. Yes, they’re beautiful. And they might just last forever, or least for hundreds of years. But I’m not going to.

I do keep washing. There is something quite pleasing about the task itself, in the possibility of absorption in the water, the shine of the metal, the repetitive circular motion. Each time, though, what I hold in my hands feels a bit more like just a pot.